| The Study: The Inner Life of Renaissance Libraries |
|
Andreas Tranvik |
Critical Inquiry |
2026-01-01 |
| Geologic Life: Inhuman Intimacies and the Geophysics of Race |
|
Eyad Houssami |
Critical Inquiry |
2026-01-01 |
| Immanent Critiques: The Frankfurt School Under Pressure |
|
Alexei Procyshyn |
Critical Inquiry |
2026-01-01 |
| How to Research like a Dog: Kafka's New Science |
|
Frank Ruda |
Critical Inquiry |
2026-01-01 |
| Las Meninas (after Velázquez) |
Variation in Picasso |
Colleen Ruth Rosenfeld |
Critical Inquiry |
2026-01-01 |
| Back to the Future and Philosophy |
Joshua Heter |
Patrick D. Anderson |
Teaching Philosophy |
2026-01-01 |
| Handbook of Latin American Environmental Aesthetics |
Gabriel Jens Andermann |
Omar Rivera |
Notre Dame Philosophical Reviews |
2025-12-15 |
| Quotation as Pictures |
Josef Stern |
John Kulvicki |
Mind |
2025-11-25 |
| Self-Portrait in the Studio |
Giorgio Agamben |
Adam Kirsch |
New York Review of Books |
2025-11-17 |
| Transcendence for Beginners |
Clare Carlisle |
Kathryn Hughes |
Literary Review |
2025-11-10 |
| On Painting: Courses, March-June |
Gilles Deleuze |
Claire Colebrook |
Notre Dame Philosophical Reviews |
2025-11-07 |
| Philosophy of Film Without Theory |
Craig Fox |
Ashish Dwivedi |
Film-Philosophy |
2025-10-01 |
| The Suspended Step of the Stork |
Balkan Transits: Becoming-Other in Theo Angelopoulos's |
Konstantinos Retsikas |
Film-Philosophy |
2025-10-01 |
| Operational Images: From the Visual to the Invisual |
Jussi Parikka |
Daniel E. Smith |
Film-Philosophy |
2025-10-01 |
| The Zone of Interest |
|
Emilija Talijan |
Film-Philosophy |
2025-10-01 |
| Hard to Watch: How to Fall in Love with Difficult Movies |
Matthew Strohl |
Nat Hansen |
Mid Theory Collective |
2025-09-29 |
| What to Save and Why: Identity, Authenticity, and the Ethics of Conservation |
Erich Hatala Matthes |
Carolyn Korsmeyer |
Mind |
2025-09-16 |
| Kant and the Supposed Right to Lie |
|
Bruce J. Krajewski |
Critical Inquiry |
2025-09-01 |
| Disarming Intelligence: Proust, Valéry, and Modern French Criticism |
|
Bécquer Seguín |
Critical Inquiry |
2025-09-01 |
| Life beside Bars: Confinement and Capital in an American Prison Town |
|
Thomas J. Millay |
Critical Inquiry |
2025-09-01 |
| Overshoot: How the World Surrendered to Climate Breakdown |
|
Adam Wickberg |
Critical Inquiry |
2025-09-01 |
| Common Measures: Romanticism and the Groundlessness of Community |
|
Sneha Chowdhury |
Critical Inquiry |
2025-09-01 |
| Something Speaks to Me: Where Criticism Begins |
|
Vedant Srinivas |
Critical Inquiry |
2025-09-01 |
| All in All (More or Less): Rhetorical Considerations in Literature, Thought, and Experience |
|
Steven Mailloux |
Critical Inquiry |
2025-09-01 |
| Marxist Modernism: Introductory Lectures on Frankfurt School Critical Theory |
|
Thomas Waller |
Critical Inquiry |
2025-09-01 |
| Dissonant Records: Close Listening to Literary Archives |
|
Matthew Kilbane |
Critical Inquiry |
2025-09-01 |
| Cinema Is the Strongest Weapon: Race-Making and Resistance in Fascist Italy |
|
Diana Garvin |
Critical Inquiry |
2025-09-01 |
| Cybernetic Capitalism: A Critical Theory of the Incommunicable |
|
Marc Kohlbry |
Critical Inquiry |
2025-09-01 |
| The Likeness of Things Unlike: A Poetics of Incommensurability |
|
Charles Altieri |
Critical Inquiry |
2025-09-01 |
| The Cancel Culture Panic: How an American Obsession Went Global |
|
Marianna Torgovnick |
Critical Inquiry |
2025-09-01 |
| Palestine Is Throwing a Party and the Whole World Is Invited: Capital and State Building in the West Bank |
|
Eman Abdelhadi |
Critical Inquiry |
2025-09-01 |
| Kierkegaard's Concept of the Interesting: The Aesthetic Gulf in Either/Or I |
Anthony Eagan |
Ulrika Carlsson |
Review of Metaphysics |
2025-09-01 |
| The Entanglement |
Alva Noë |
Guy Dammann |
Notre Dame Philosophical Reviews |
2025-07-31 |
| Cosmic Connections: Poetry in the Age of Disenchantment |
Charles Taylor |
Christopher Sauder |
Notre Dame Philosophical Reviews |
2025-07-15 |
| What to Save and Why: Identity, Authenticity, and the Ethics of Conservation |
Erich Hatala Matthes |
Michelle Nijhuis |
New York Review of Books |
2025-07-03 |
| Helen De Cruz, Wonderstruck: How Wonder and Awe Shape the Way We Think |
Mari Van Emmerik |
Taylor Carman |
Notre Dame Philosophical Reviews |
2025-06-17 |
| Democracy and Beauty: The Political Aesthetics of W. E. B. Du Bois |
Robert Gooding-Williams |
Becca Rothfeld |
Washington Post |
2025-06-02 |
| Surface Relations: Queer Forms of Asian American Inscrutability |
Vivian L. Huang |
Max Casey |
Film-Philosophy |
2025-06-01 |
| Anteaesthetics: Black Aesthesis and the Critique of Form |
Rizvana Bradley |
Claire Qing Cao |
Film-Philosophy |
2025-06-01 |
| Terracene: A Crude Aesthetics |
Salar Mameni |
Jasmine Sanau |
Film-Philosophy |
2025-06-01 |
| Novels by Aliens: Weird Tales and the Twenty-First Century |
|
R. John Williams |
Critical Inquiry |
2025-06-01 |
| The Kinds of Poetry I Want: Essays & Comedies |
|
Jerome McGann |
Critical Inquiry |
2025-06-01 |
| The Book of Politics: China in Theory |
|
Andrew Pendakis |
Critical Inquiry |
2025-06-01 |
| The Chinese Computer: A Global History of the Information Age |
|
John Cayley |
Critical Inquiry |
2025-06-01 |
| New Critical Nostalgia: Romantic Lyric and the Crisis of Academic Life |
|
Yohei Igarashi |
Critical Inquiry |
2025-06-01 |
| Architecture against Democracy: Histories of the Nationalist International |
|
Sean Keller |
Critical Inquiry |
2025-06-01 |
| Monumental Graffiti: Tracing Public Art and Resistance in the City |
|
Kyle Proehl |
Critical Inquiry |
2025-06-01 |
| Cosmic Connections: Poetry in the Age of Disenchantment |
|
Jamison Kantor |
Critical Inquiry |
2025-06-01 |
| Ludwig Binswanger and Fernand Deligny on the Human Condition: Wandering Lines |
|
Karl Baldacchino |
Critical Inquiry |
2025-06-01 |
| Making the World Clean: Wasted Lives, Wasted Environment, and Racial Capitalism |
|
Emily Merson |
Critical Inquiry |
2025-06-01 |
