| Screening Fears: On Protective Media |
Francesco Casetti |
Tobijah Rogers |
2026-02-01 |
| The Man Who Shot Liberty Valance |
|
Dylan Shaul |
2026-02-01 |
| The Politics of Monstrous Figures in Contemporary Cinema: Witches, Zombies, and Cyborgs Re-Enchanting the Ends of the World |
Francesco Sticchi |
Nikolaj Lübecker |
2026-02-01 |
| Black Screens, White Frames: Gilles Deleuze and the Filmmaking Machine |
Tanya Shilina-Conte |
Chiara Quaranta |
2026-02-01 |
| Robert Pippin and Film: Politics, Ethics, and Psychology After Modernism |
Dominic Lash |
Logan Canada-Johnson |
2026-02-01 |
| Philosophy of Film Without Theory |
Craig Fox |
Ashish Dwivedi |
2025-10-01 |
| The Suspended Step of the Stork |
Balkan Transits: Becoming-Other in Theo Angelopoulos's |
Konstantinos Retsikas |
2025-10-01 |
| Operational Images: From the Visual to the Invisual |
Jussi Parikka |
Daniel E. Smith |
2025-10-01 |
| The Zone of Interest |
|
Emilija Talijan |
2025-10-01 |
| Surface Relations: Queer Forms of Asian American Inscrutability |
Vivian L. Huang |
Max Casey |
2025-06-01 |
| Anteaesthetics: Black Aesthesis and the Critique of Form |
Rizvana Bradley |
Claire Qing Cao |
2025-06-01 |
| Terracene: A Crude Aesthetics |
Salar Mameni |
Jasmine Sanau |
2025-06-01 |
| Terracene: A Crude Aesthetics |
Salar Mameni |
Jasmine Sanau |
2025-06-01 |
| Anteaesthetics: Black Aesthesis and the Critique of Form |
Rizvana Bradley |
Claire Qing Cao |
2025-06-01 |
| Surface Relations: Queer Forms of Asian American Inscrutability |
Vivian L Huang |
Max Casey |
2025-06-01 |
| John Akomfrah |
James Harvey |
Bjorn Gabriels |
2025-06-01 |
| Post-Cinematic Bodies |
Shane Denson |
Emma Dussouchaud-Esclamadon |
2024-10-01 |
| Mapping Precarity in Contemporary Cinema and Television: Chronotopes of Anxiety, Depression, Expulsion/Extinction |
Francesco Sticchi |
Tim Lindemann |
2024-10-01 |
| Nietzsche in Hollywood: Images of the Übermensch in Early American Cinema |
Matthew Rukgaber |
Paolo Stellino |
2024-10-01 |
| Life Above the Clouds: Philosophy in the Films of Terrence Malick |
Steven DeLay |
Martin Woessner |
2024-10-01 |
| The Turin Horse |
Nietzschean Themes in Béla Tarr's |
Paolo Stellino |
2024-06-01 |
| Limit Cinema: Transgression and the Nonhuman in Contemporary Global Film |
Chelsea Birks |
Augustin |
2024-06-01 |
| Columbo: Paying Attention 24/7 |
David Martin-Jones |
Timna Rauch |
2024-06-01 |
| Walter Benjamin and the Aesthetics of Film |
Daniel Mourenza |
Hyojin Yoon |
2024-06-01 |
| Iconoclasm in European Cinema: The Ethics and Aesthetics of Image Destruction |
Chiara Quaranta |
Francesco Sticchi |
2024-06-01 |
| Framing the Holocaust in Polish Aftermath Cinema: Posthumous Materiality and Unwanted Knowledge |
Matilda Mroz |
Emily-Rose Baker |
2024-02-01 |
| The Dark Interval: Film Noir, Iconography, and Affect |
Padraic Killeen |
William B Covey |
2024-02-01 |
| Girl Head: Feminism and Film Materiality |
Genevieve Yue |
Laura Staab |
2024-02-01 |
| Ambiguous Cinema: From Simone de Beauvoir to Feminist Film Phenomenology |
Kelli Fuery |
Kate Ince |
2024-02-01 |
| Life-Destroying Diagrams |
Eugenie Brinkema |
Archie Wolfman |
2024-02-01 |
| Bigger Than Life: The Close-up and Scale in the Cinema |
Mary Ann Doane |
Alicia Byrnes |
2023-10-01 |
| Transformational Ethics of Film: Thinking the Cinemakeover in the Film-Philosophy Debate |
Martin P Rossouw |
Colin Davis |
2023-10-01 |
| The Filmmaker's Philosopher: Merab Mamardashvili and Russian Cinema |
Alyssa DeBlasio |
Ilia Ryzhenko |
2023-10-01 |
| The Empathic Screen: Cinema and Neuroscience |
Vittorio Gallese |
Tirna Chatterjee |
2023-10-01 |
| Film and the Imagined Image |
Sarah Cooper |
Giulia Rho |
2023-02-01 |
| A Critical Companion to Terrence Malick |
Joshua Sikora |
Matthew Sellers Johnson |
2023-02-01 |
| Planetary Cinema: Film, Media and the Earth |
Tiago De Luca |
Karim Townsend |
2023-02-01 |
| Before Sunrise, Before Sunset, Before Midnight: A Philosophical Exploration |
Hans Maes |
James Zborowski |
2022-10-01 |
| Cinema/Politics/Philosophy |
Nico Baumbach |
Tyler Theus |
2022-10-01 |
| Third Cinema, World Cinema and Marxism |
Ewa Mazierska |
A I Philip |
2022-10-01 |
| Filmed Thought: Cinema as Reflective Form |
Robert Pippin |
Shawn Loht |
2022-10-01 |
| Devil in a Blue Dress |
|
Dan Flory |
2022-06-01 |
| Discorrelated Images |
Shane Denson |
Christian De Mouilpied Sancto |
2022-06-01 |
| Terrors of the Flesh: The Philosophy of Body Horror in Film |
David Huckvale |
Kristina Sekrst |
2022-06-01 |
| The Eloquent Screen: A Rhetoric of Film |
Gilberto Perez |
James Mulvey |
2022-06-01 |
| Realist Cinema as World Cinema: Non-cinema, Intermedial Passages, Total Cinema |
Lúcia Nagib |
Navid Darvishzadeh |
2022-06-01 |
| American Avant-Garde Cinema's Philosophy of the In-Between |
Rebecca A Sheehan |
Giulia Rho |
2022-02-01 |
| Shimmering Images: Trans Cinema, Embodiment, and the Aesthetics of Change |
Eliza Steinbock |
William Brown |
2022-02-01 |
| Hollywood's Dirtiest Secret: The Hidden Environmental Costs of the Movies |
Hunter Vaughan |
Georgie Carr |
2022-02-01 |
| A Film-Philosophy of Ecology and Enlightenment |
Rupert Read |
Rong Wan |
2022-02-01 |
