| The Republic of Love: Opera and Political Freedom |
Martha Nussbaum |
|
Kirkus Reviews |
2026-05-04 |
| The Republic of Love: Opera and Political Freedom |
Martha Nussbaum |
Noah Swank |
Dispatch |
2026-04-28 |
| Infinite Ingenuity: Andy Weir’s Optimistic Vision in ‘Project Hail Mary’ |
Andy Weir |
Iona Italia |
Quillette |
2026-04-17 |
| Making Meaning in Popular Song: Philosophical Essays |
Theodore Gracyk |
Emmie Malone |
Journal of Aesthetics and Art Criticism |
2026-04-07 |
| Sons of Adam, Daughters of Eve: C. S. Lewis’s Images of Gender |
Joshua Herring |
Rachel Collins Suffern |
Public Discourse |
2026-04-07 |
| Classical Architecture: Language, Variety and Adaptability |
James Stevens Curl |
Catesby Leigh |
Claremont Review of Books |
2026-04-01 |
| Mentalization and Literary Form |
Elisa Galgut |
Daniel Herwitz |
Journal of Aesthetics and Art Criticism |
2026-03-26 |
| What to Save and Why: Identity, Authenticity, and the Ethics of Conservation |
Erich Hatala Matthes |
Sanna Lehtinen |
Journal of Aesthetics and Art Criticism |
2026-03-25 |
| Aesthetic Injustice |
Dominic McIver Lopes |
Anne Eaton |
Journal of Aesthetics and Art Criticism |
2026-03-07 |
| Hermaphrodite Logic: A History of Intersex Liberation |
|
Eva Pensis |
Critical Inquiry |
2026-03-01 |
| Civic Solitude: Why Democracy Needs Distance |
|
Karl Baldacchino |
Critical Inquiry |
2026-03-01 |
| The Key to Everything: May Swenson, A Writer's Life |
|
Lucky Issar |
Critical Inquiry |
2026-03-01 |
| The Cinema of Extractions: Film Materials and Their Forms |
|
Parker Stenseth |
Critical Inquiry |
2026-03-01 |
| The Digital and Its Discontents |
|
Warren Sack |
Critical Inquiry |
2026-03-01 |
| Why We Fear AI: On the Interpretation of Nightmares |
|
Matthew Kirschenbaum |
Critical Inquiry |
2026-03-01 |
| True Materialism: Hegelian Marxism and the Modernist Struggle for Freedom |
|
Christopher Gortmaker |
Critical Inquiry |
2026-03-01 |
| The Rise of Office Literature: Bureaucratization and Aesthetics in Britain and France, 1810- |
|
Alexandra Irimia |
Critical Inquiry |
2026-03-01 |
| The Traces of Jacques Derrida's Cinema |
|
Erin Graff Zivin |
Critical Inquiry |
2026-03-01 |
| Aesthetics in Grief and Mourning: Philosophical Reflections on Coping with Loss |
Kathleen Marie Higgins |
Sandra Shapshay |
Mind |
2026-02-27 |
| Screening Fears: On Protective Media |
Francesco Casetti |
Tobijah Rogers |
Film-Philosophy |
2026-02-01 |
| The Man Who Shot Liberty Valance |
|
Dylan Shaul |
Film-Philosophy |
2026-02-01 |
| The Politics of Monstrous Figures in Contemporary Cinema: Witches, Zombies, and Cyborgs Re-Enchanting the Ends of the World |
Francesco Sticchi |
Nikolaj Lübecker |
Film-Philosophy |
2026-02-01 |
| Black Screens, White Frames: Gilles Deleuze and the Filmmaking Machine |
Tanya Shilina-Conte |
Chiara Quaranta |
Film-Philosophy |
2026-02-01 |
| Robert Pippin and Film: Politics, Ethics, and Psychology After Modernism |
Dominic Lash |
Logan Canada-Johnson |
Film-Philosophy |
2026-02-01 |
| The Score |
C. Thi Nguyen |
|
Harper's Magazine |
2026-01-05 |
| The Score |
C. Thi Nguyen |
Stuart Jeffries |
Financial Times |
2026-01-05 |
| What Are Zoos For? |
Heather Browning |
Kyle Johannsen |
Philosophy in Review |
2026-01-01 |
| Titivillus' Bag of Tricks: Media Ontology, Epistemology, and Aesthetics |
Paul Majkut |
Shreya Mishra |
Philosophy in Review |
2026-01-01 |
| Architecture and Objects |
Graham Harman |
Yuxin Vincent Qiu |
Philosophy in Review |
2026-01-01 |
| Repair the World: French Literature in the Twenty-First Century |
|
Bogdan Vişan |
Critical Inquiry |
2026-01-01 |
| Open Admissions: The Poetics and Pedagogy of Toni Cade Bambara, June Jordan, Audre Lorde, and Adrienne Rich in the Era of Free College |
|
Cole Adams |
Critical Inquiry |
2026-01-01 |
| Heidegger and Dao: Things, Nothingness, Freedom |
|
Feng Dong |
Critical Inquiry |
2026-01-01 |
| Funding White Supremacy: Federal Wealth Policies and the Modern Racial Wealth Gap |
|
Zheng Wang |
Critical Inquiry |
2026-01-01 |
| Action without Hope: Victorian Literature after Climate Collapse |
|
Karen Pinkus |
Critical Inquiry |
2026-01-01 |
| Amphion: Lyre, Poetry, and Politics in Modernity |
|
Stephanie Burt |
Critical Inquiry |
2026-01-01 |
| Speculative Whiteness: Science Fiction and the Alt-Right |
|
Lorenzo Fabbri |
Critical Inquiry |
2026-01-01 |
| The Study: The Inner Life of Renaissance Libraries |
|
Andreas Tranvik |
Critical Inquiry |
2026-01-01 |
| Geologic Life: Inhuman Intimacies and the Geophysics of Race |
|
Eyad Houssami |
Critical Inquiry |
2026-01-01 |
| Immanent Critiques: The Frankfurt School Under Pressure |
|
Alexei Procyshyn |
Critical Inquiry |
2026-01-01 |
| How to Research like a Dog: Kafka's New Science |
|
Frank Ruda |
Critical Inquiry |
2026-01-01 |
| Las Meninas (after Velázquez) |
Variation in Picasso |
Colleen Ruth Rosenfeld |
Critical Inquiry |
2026-01-01 |
| Back to the Future and Philosophy |
Joshua Heter |
Patrick D. Anderson |
Teaching Philosophy |
2026-01-01 |
| Handbook of Latin American Environmental Aesthetics |
Gabriel Jens Andermann |
Omar Rivera |
Notre Dame Philosophical Reviews |
2025-12-15 |
| Quotation as Pictures |
Josef Stern |
John Kulvicki |
Mind |
2025-11-25 |
| Self-Portrait in the Studio |
Giorgio Agamben |
Adam Kirsch |
New York Review of Books |
2025-11-17 |
| Transcendence for Beginners |
Clare Carlisle |
Kathryn Hughes |
Literary Review |
2025-11-10 |
| On Painting: Courses, March-June 1981 |
Gilles Deleuze |
Claire Colebrook |
Notre Dame Philosophical Reviews |
2025-11-07 |
| A Subterranean Celebration |
Allen Ginsberg |
David S. Wills |
Quillette |
2025-10-07 |
| Philosophy of Film Without Theory |
Craig Fox |
Ashish Dwivedi |
Film-Philosophy |
2025-10-01 |
| The Suspended Step of the Stork |
Balkan Transits: Becoming-Other in Theo Angelopoulos's |
Konstantinos Retsikas |
Film-Philosophy |
2025-10-01 |
