| Imagination in Coleridge and Abhinavagupta: A Critical A N Aljsis O F Christian and Saiva Standpoints |
RAMENDRA KUMAR SEN |
Ramendra Kumar SEN |
1965-09-01 |
| Ohnishi'S Aesthetics As A Japanese System |
TOSHIO TAKEUCHI |
Toshio Takeuchi |
1965-09-01 |
| "Rasas" As Springs of Art in Indian Aesthetics |
Radhakamal Mukerjee |
Radhakamal Mukerjee |
1965-09-01 |
| Shen Chou and The Scholarly Tradition |
Richard Edwards |
Richard Edwards |
1965-09-01 |
| "Rasa" As Aesthetic Experience |
G. B. Mohan Thampi |
G. B. MOHAN Thampi |
1965-09-01 |
| Toraaki and His Theory of Comedy |
Makoto Ueda |
Makoto Ueda |
1965-09-01 |
| Studies in The Aesthetics O F Acharya Brojendra Nath Seal |
Sudhīrakumāra Nandī |
S. K. Nandi |
1965-09-01 |
| Śakti in M Edieval Hindu Sculpture |
Eliot Deutsch |
ELIOT S. Deutsch |
1965-09-01 |
| Comparative Aesthetics |
G Hanumantha Rao |
Archie J Bahm |
1965-09-01 |
| On Fictional Expressions of Cognitive Meaning |
Bertram Jessup |
Bertram Jessup |
1965-06-01 |
| Aesthetic Motivation in The Creative Arts |
Ralph J. Hallman |
RALPH J. Hallman |
1965-06-01 |
| Lyric Voices and Ethical Proofs |
ARTHUR K. MOORE |
ARTHUR K. Moore |
1965-06-01 |
| The Work of Art Described From A Double Dispositional Base |
Stephen C. Pepper |
STEPHEN C. Pepper |
1965-06-01 |
| The Shifting Nature of Authority in Versions of De Arte Graphica |
Lawrence Lipking |
Lawrence Lipking |
1965-06-01 |
| What Is Wrong With A Forgery? |
Alfred Lessing |
Alfred Lessing |
1965-06-01 |
| Philosophical Parallels To Abstract Art |
Irving L. Zupnick |
IRVING L. Zupnick |
1965-06-01 |
| The Aesthetics of Color: A Review of Fifty Years of Experimentation |
Victoria Kloss Ball |
VICTORIA K. Ball |
1965-06-01 |
| Can Musical Notation Help English Scansion? |
Calvin S. Brown |
CALVIN S. Brown |
1965-03-01 |
| The Expression Theory of Art: A Critical Evaluation |
Haig Khatchadourian |
Haig Khatchadourian |
1965-03-01 |
| On The Creation of Art |
Monroe C. Beardsley |
MONROE C. Beardsley |
1965-03-01 |
| Intensity As A Distinction Between Classical and Romantic Music |
Arnold Salop |
Arnold Salop |
1965-03-01 |
| The Fifth International Congress on Aesthetics |
Max Rieser |
Max Rieser |
1965-03-01 |
| Organic Unity Revindicated? |
P. ae. Hutchings |
P. Æ. Hutchings |
1965-03-01 |
| The Interpretation of Dramatic Works |
Auréliu Weiss |
Aureliu Weiss |
1965-03-01 |
| "Berlin, The Symphony of A City" As A Theme of Visual Rhythm |
Jiří Kolaja |
Jiri Kolaja |
1965-03-01 |
| The Aesthetics of Color: A Review of Fifty Years of Experimentation |
Victoria Kloss Ball |
Victoria K. Ball |
1965-01-01 |
| Croce and De Sanctis |
Angelo A. De Gennaro |
ANGELO A. DE Gennaro |
1964-12-01 |
| The Sensuous and The Sensual in Aesthetics |
Arnold Berleant |
Arnold Berleant |
1964-12-01 |
| Herbert Read- The Man and His Work A Tribute on His Seventieth Birthday |
J. P. Hodin |
J. P. Hodin |
1964-12-01 |
| "Mental Forms Creating": "Fourfold Vision" and The Poet As Prophet in Blake'S Designs and Verse |
Edward J. Rose |
EDWARD J. Rose |
1964-12-01 |
| Issues of Music Aesthetics |
Jean G. Harrell |
JEAN G. Harrell |
1964-12-01 |
| Philosophy and The Literary Medium: The Existentialist Predicament |
Amy M. Kleppner |
AMY M. Kleppner |
1964-12-01 |
| Frank Sibley'S "Aesthetic Concepts" |
R. David Broiles |
R. DAVID Broiles |
1964-12-01 |
| Plotinus' Refutation of Beauty As Symmetry |
John P. Anton |
JOHN P. Anton |
1964-12-01 |
| Recent Developments in Aesthetics in America |
Thomas Munro |
Thomas Munro |
1964-12-01 |
| Space in Abstract Expressionism |
Radka Donnell |
Radka Zagoroff Donnell |
1964-12-01 |
| The Artist'S Intentions |
Steven W. Dykstra |
Sidney Gendin |
1964-12-01 |
| Register of College Courses on Aesthetics and Related Subjects |
Janet L. Mack |
Ruthanne Weaver |
1964-12-01 |
| Art and The Language of The Emotions |
C. J. Ducasse |
C. J. Ducasse |
1964-09-01 |
| High Noon and Darkest Night: Some Observations on Ortega Y Gasset'S Philosophy of Art |
Herbert Read |
Herbert Read |
1964-09-01 |
| Controlled Experimentation in Criticism |
Stephen C. Pepper |
STEPHEN C. Pepper |
1964-09-01 |
| On Dewey'S Aesthetics |
D. W. Gotshalk |
D. W. Gotshalk |
1964-09-01 |
| The Aesthetic Object and The Technical Object |
Mikel Dufrenne |
Mikel Dufrenne |
1964-09-01 |
| Thomas Munro'S Position in American Aesthetics |
Max Rieser |
Max Rieser |
1964-09-01 |
| Bibliography O F Thomas Munro From 1922 To 1964 |
Thomas Munro |
Thomas Munro |
1964-09-01 |
| Aesthetics and Logic: An Analogy |
Karl Aschenbrenner |
Karl Aschenbrenner |
1964-09-01 |
| The Elucidation of Aesthetic Experience |
Harold Osborne |
Harold Osborne |
1964-09-01 |
| Schooling for Creativity |
Jan Aler |
Jan Aler |
1964-09-01 |
| From Function To Expression |
Rudolf Arnheim |
Rudolf Arnheim |
1964-09-01 |
| Some Reflections on Architecture |
Fred Rush |
David Goldblatt |
1964-09-01 |
