| The Legitimation of Modern American Architecture |
Eldon L. Modisette |
ELDON L. Modisette |
1962-03-01 |
| Reflections on Reflections |
|
WOLFGANG M. Zucker |
1962-03-01 |
| A Marginal Commentary on Aristotle'S Poetics-Part Ii |
Román Ingarden |
Roman Ingarden |
1962-03-01 |
| A Theory of Style |
Jamés S. Ackerman |
JAMES S. Ackerman |
1962-03-01 |
| Social Art and the Sociology of Art |
John Dewey |
Cesar Grana |
1962-01-01 |
| Stone Catalogue of Cloudy Forest |
Tu Wan |
Sherman E. Lee |
1962-01-01 |
| Hume'S Opinion of Critics |
JAMES NOXON |
James Noxon |
1961-12-01 |
| Report on The Fourth International Congress on Aesthetics |
Max Rieser |
Max Rieser |
1961-12-01 |
| Ruins-An Aesthetic Hybrid |
PAUL ZUCKER |
Paul Zucker |
1961-12-01 |
| On The Origins of "Aesthetic Disinterestedness" |
Jerome Stolnitz |
Jerome Stolnitz |
1961-12-01 |
| A Marginal Commentary on Aristotle'S Poetics |
Román Ingarden |
Roman Ingarden |
1961-12-01 |
| Ut Pictura Poesis: DuBos To Diderot |
Rensselaer W. Lee |
REMY G. Saisselin |
1961-12-01 |
| Topographical and Anatomical Aspects of The Gothic Cathedral |
Peter Fingesten |
Peter Fingesten |
1961-09-01 |
| Friedrich Kainz As Aesthetician |
Herbert M. Schueller |
HERBERT M. Schueller |
1961-09-01 |
| Problems of A Humanistic Art in A Mechanistic Culture |
John Alford |
John Alford |
1961-09-01 |
| Tolstoy As Defender of A "Pure Art" That Unwraps Something |
Don Geiger |
Don Geiger |
1961-09-01 |
| Zeami on Art: A Chapter for The History of Japanese Aesthetics |
Makoto Ueda |
Makoto Ueda |
1961-09-01 |
| The Missing and The Mutilated Eye in Contemporary Art |
GERALD EAGER |
Gerald Eager |
1961-09-01 |
| Some Distinctions |
Timothy Cross |
F. DAVID Martin |
1961-09-01 |
| Meanings of Baroque |
Bernard C. Heyl |
BERNARD C. Heyl |
1961-03-01 |
| Contextualist Theory and Criticism As A Social Act |
Walter Sutton |
Walter Sutton |
1961-03-01 |
| George Lansing Raymond'S Comparative Aesthetics |
Barbara Shissler |
Barbara Shissler |
1961-03-01 |
| Evolutionary Ideas in Late Nineteenth-Century English and American Literary Criticism |
Donald Pizer |
Donald Pizer |
1961-03-01 |
| The Composer'S Machine |
William H. Tallmadge |
WILLIAM H. Tallmadge |
1961-03-01 |
| The Iconology of Style ( Or Wolfflin Reconsidered) |
IRVING L. ZUPNICK |
IRVING L. Zupnick |
1961-03-01 |
| Time in Film and Fiction |
George Bluestone |
George Bluestone |
1961-03-01 |
| The Question of A Judaic Aesthetic in Ancient Synagogue Art |
Bernard Goldman |
Bernard Goldman |
1961-03-01 |
| Some Aspects of Baroque Landscape in French Poetry of The Early Seventeenth Century |
Éric Dubois |
E. T. Dubois |
1961-03-01 |
| The American Society for Aesthetics |
|
|
1961-03-01 |
| Articles of Interest |
Health Education Council. |
|
1961-03-01 |
| Is The Creative Process Similar in The Arts? |
Julius Portnoy |
Julius Portnoy |
1960-12-01 |
| The Giant Mouthless |
Wolfgang M. Zucker |
WOLFGANG M. Zucker |
1960-12-01 |
| Meanings of ''Naturalism'' in Philosophy and Aesthetics |
Thomas Munro |
Thomas Munro |
1960-12-01 |
| Formal and Symbolic Factors in The Art Styles of Primitive Cultures |
Herschel B. Chipp |
HERSCHEL B. Chipp |
1960-12-01 |
| Some Reflections on John Dewey'S Aesthetics |
CHARLES EDWARD GAUSS |
Charles Edward Gauss |
1960-12-01 |
| Paul Tillich on The Philosophy of Art |
Charles W. Kegley |
CHARLES W. Kegley |
1960-12-01 |
| Maritain'S Interpretation of Creativiryr in Art |
CARL R. HAUSMAN |
CARL R. Hausman |
1960-12-01 |
| What Is An Initiation Story? |
Mordecai Marcus |
Mordecai Marcus |
1960-12-01 |
| The Rococo As A Dream of Happiness |
REMY G. SAISSELIN |
REMY G. Saisselin |
1960-12-01 |
| Picturesque Beauty in Spain and England: Aesthetic Rapports Between Jovellanos and Gilpin |
Paul Ilie |
Paul Ilie |
1960-12-01 |
| Prolegomena To Any Naturalistic Aesthetics |
Patrick Romanell |
Patrick Romanell |
1960-12-01 |
| Is The Music Really Sad? |
Sidney Zink |
Sidney Zink |
1960-12-01 |
| Aesthetic Perception |
Kevin E. O'Reilly |
Joseph Margolis |
1960-12-01 |
| Aesthetic Judgment in Music |
|
Joyce Michell |
1960-09-01 |
| Ad Hoc and Ad Hominem |
Musical Scales |
Henry Leland Clarke |
1960-06-01 |
| A Report on Current Writings |
Modern Art In Germany |
J.P. Hodin |
1960-06-01 |
| Lectures on Art: The First American Art Treatise |
Washington Allston |
Regina Soria |
1960-03-01 |
| Concept of Aesthetic Universality |
Avanindranath Tagore |
S. K. Nandi |
1959-12-01 |
| A Study in the Significance of the Allegorical Tableau |
|
WALTER J . ONG |
1959-06-01 |
| Scritti di T. W. Adorno, S. Breton, F. Bianco, A. Gianquinto, F. McGuinness, K. Kerenyi, T. Munro, A. Plebe, E. Przywara, J. Pucelle, R. Pucci in Archivio di Filosofia |
Filosofia e Simbolismo |
Max Rieser |
1957-12-01 |
