| Wordworth: A Philosophical Approach |
Melvin Rader |
Bertram Jessup |
1970-03-01 |
| Theories of Association and Perception as They Relate to His Theories of Poetry |
Thomas Brown |
Alma Clara Rands |
1970-01-01 |
| The Arts and the Public |
James E Miller Jr |
Allan Shields |
1969-12-01 |
| John Ruskin and Aesthetic Thought in America |
Roger B Stein |
Clinton Keeler |
1969-12-01 |
| On the Art of Designing Cities: Selected Essays of Elbert Peets |
Paul D Spreiregen |
Paul Zucker |
1969-12-01 |
| Das Wesen des Aesthetischen Erfassens der Realitaet |
Milos Juzl |
Max Rieser |
1969-12-01 |
| Le Poete Masque et Demasque |
Lars Gustafsson |
John Farrow |
1969-12-01 |
| The Concept of Order |
Paul G Kuntz |
Allan Shields |
1969-12-01 |
| The Play and Place of Criticism |
Murray Krieger |
David Thoreau Wieck |
1969-12-01 |
| On Quality in Art: Criteria of Excellence, Past and Present |
Jakob Rosenberg |
David Thoreau Wieck |
1969-12-01 |
| Taste: An Essay in Critical Imagination |
Christopher Browne Garnett Jr |
Elmer H Duncan |
1969-12-01 |
| Teoria Dramy O Aristotela do Lessinga |
Alexander Anikst |
Max Rieser |
1969-12-01 |
| Concept and Quality: A World Hypothesis |
Stephen C Pepper |
Douglas N Morgan |
1969-12-01 |
| Pre-Classical Art, From Crete to Archaic Greece |
John Boardman |
Hanna Lerski |
1969-10-01 |
| Neo-Idealistic Aesthetics: Croce-Gentile-Collingwood |
Merle E Brown |
Allan Shields |
1969-10-01 |
| "Against The Enamel of A Background Rhythmic With Beats and Angels, Tones and Colors |
Paul Signac |
José Argüelles |
1969-09-01 |
| Destiny of Art |
William Morris |
JAN B. Gordon |
1969-03-01 |
| "Doctor Faustus": The Sources and Structure of the Novel |
Thomas Mann |
Harold A. Basilius |
1969-01-01 |
| Destiny of Art |
William Morris |
Jan B. Gordon |
1969-01-01 |
| "Against the Enamel of a Background Rhythmic with Beats and Angles, Tones and Colors |
Paul Signac |
Jose Arguelles |
1969-01-01 |
| Theory of Art |
George Dickie |
Jeffrey Wieand |
1968-01-01 |
| Metaphysik und die zeitgenossische Literatur und Musik |
Christian Wolff |
Herbert M. Schueller |
1968-01-01 |
| The Theory of Unconscious Perception in Music: A Phenomenological Criticism |
Alfred Pike |
Alfred Pike |
1967-06-01 |
| The Work of Art in Its Social Setting and in Its Aesthetic Isolation |
K. Mitchells |
K. Mitchells |
1967-06-01 |
| On Hanslick'S Supposed Formalism in Music |
Robert W. Hall |
ROBERT W. Hall |
1967-06-01 |
| Hulme, Richards, and The Development of Contextualist Poetic Theory |
Phyllis Rackin |
Phyllis Rackin |
1967-06-01 |
| Dewey and Gotshalk on Criticism |
Noël Carroll |
Curtis L Carter |
1967-06-01 |
| Arguments Used in Ethics and Aesthetics: Two Differences |
Elmer H. Duncan |
ELMER H. Duncan |
1967-06-01 |
| The Art of The Science of Tai Chi Ch'Uan |
|
Sophia Delza |
1967-06-01 |
| More on Aesthetic Concepts |
|
J. F. Logan |
1967-06-01 |
| Society As Novelist |
|
IAN W. Adam |
1967-06-01 |
| The Power of Music and Whitehead'S Theory of Perception |
F. David Martin |
F. DAVID Martin |
1967-03-01 |
| Kant and The Subjective Objects of Taste |
Berel Lang |
Berel Lang |
1967-03-01 |
| Physiognomic Expression Again |
Arthur Szathmary |
Arthur Szathmary |
1967-03-01 |
| Inside Kabuki: An Experience in Comparative Aesthetics |
Herta Pauly |
Herta Pauly |
1967-03-01 |
| Art and Machine |
|
Richard Kuhns |
1967-03-01 |
| Marxism and Aesthetics: A Critique of The Contribution of George Plekhanov |
Kang Liu |
Lee Baxandall |
1967-03-01 |
| Toward A Freer Approach To An Elastic Genre |
Form |
David Madden |
1967-03-01 |
| "For Artistic Reasons" |
|
John Bruce |
1967-03-01 |
| George Moore: From Pure Poetry To Pure Criticism |
Adrian Frazier |
HELMUT E. Gerber |
1967-03-01 |
| Metaphor and Aspect Seeing |
Marcus B. Hester |
MARCUS B. Hester |
1966-12-01 |
| The Ontological Status of Art Objects |
Eddy M. Zemach |
EDDY M. Zemach |
1966-12-01 |
| Can Anything Be An Aesthetic Object? |
Robert L. Zimmerman |
ROBERT L. Zimmerman |
1966-12-01 |
| A Phenomenology of Aesthetic Reasoning |
Francis J. Coleman |
FRANCIS J. Coleman |
1966-12-01 |
| Sibley on Aesthetic Perception |
Joseph Margolis |
Joseph Margolis |
1966-12-01 |
| Feeling and Expression in The Arts: Expression, Sensa, and Feelings |
Louis Arnaud Reid |
Louis Arnaud Reid |
1966-12-01 |
| The Unique Once More |
Jean G. Harrell |
JEAN G. Harrell |
1966-12-01 |
| Some Remarks on French Eighteenth-Century Writings on The Arts |
Rémy G. Saisselin |
REMY G. Saisselin |
1966-12-01 |
| Plato and The Poets |
Pierre Destrée |
Darnell Rucker |
1966-12-01 |
| More on The Creation of Art |
|
HENRY P. Raleigh |
1966-12-01 |
