| Feminism and the Cinema of Experience |
Lori Jo Marso |
Debra Bergoffen |
The Review of Politics |
2026-07-15 |
| Cinema and Secularism |
Mark Cauchi |
Joseph G. Kickasola |
Film-Philosophy |
2026-06-01 |
| Laura Mulvey and Peter Wollen: Towards Counter-Cinema |
Nicolas Helm-Grovas |
’Louise’s Story’, Riddles of the Sphinx (Laura Mulvey and Peter Wollen, 1977). Courtesy of Laura Mulvey. |
Radical Philosophy |
2026-06-01 |
| The Politics of Monstrous Figures in Contemporary Cinema: Witches, Zombies, and Cyborgs Re-Enchanting the Ends of the World |
Francesco Sticchi |
Nikolaj Lübecker |
Film-Philosophy |
2026-02-01 |
| Celluloid Babel: Pursuing a Universal Language in Cinema |
Ori Levin |
Freya Katharina Gerz |
Teaching Philosophy |
2026-01-01 |
| Feminism and the Cinema of Experience |
Lori Jo Marso Feminism |
Liza Taylor |
Political Theory |
2025-08-04 |
| Mapping Precarity in Contemporary Cinema and Television: Chronotopes of Anxiety, Depression, Expulsion/Extinction |
Francesco Sticchi |
Tim Lindemann |
Film-Philosophy |
2024-10-01 |
| Nietzsche in Hollywood: Images of the Übermensch in Early American Cinema |
Matthew Rukgaber |
Paolo Stellino |
Film-Philosophy |
2024-10-01 |
| Stanley Cavell, le cinéma et le scepticisme |
Élise Domenach |
Yoann Hervey-Fortunet |
Archives de Philosophie |
2024-10-01 |
| Limit Cinema: Transgression and the Nonhuman in Contemporary Global Film |
Chelsea Birks |
Augustin |
Film-Philosophy |
2024-06-01 |
| Iconoclasm in European Cinema: The Ethics and Aesthetics of Image Destruction |
Chiara Quaranta |
Francesco Sticchi |
Film-Philosophy |
2024-06-01 |
| Framing the Holocaust in Polish Aftermath Cinema: Posthumous Materiality and Unwanted Knowledge |
Matilda Mroz |
Emily-Rose Baker |
Film-Philosophy |
2024-02-01 |
| Ambiguous Cinema: From Simone de Beauvoir to Feminist Film Phenomenology |
Kelli Fuery |
Kate Ince |
Film-Philosophy |
2024-02-01 |
| Philosophical Theories of Political Cinema |
Angelo Emanuele Cioffi |
Sheryl Tuttle Ross |
The British Journal of Aesthetics |
2024-01-01 |
| Ambiguous Cinema: From Simone de Beauvoir to Feminist Film Phenomenology |
Kelli Fuery |
Lucy Bolton |
Simone de Beauvoir Studies |
2024-01-01 |
| Bigger Than Life: The Close-up and Scale in the Cinema |
Mary Ann Doane |
Alicia Byrnes |
Film-Philosophy |
2023-10-01 |
| The Filmmaker's Philosopher: Merab Mamardashvili and Russian Cinema |
Alyssa DeBlasio |
Ilia Ryzhenko |
Film-Philosophy |
2023-10-01 |
| The Empathic Screen: Cinema and Neuroscience |
Vittorio Gallese |
Tirna Chatterjee |
Film-Philosophy |
2023-10-01 |
| Planetary Cinema: Film, Media and the Earth |
Tiago De Luca |
Karim Townsend |
Film-Philosophy |
2023-02-01 |
| Cinema/Politics/Philosophy |
Nico Baumbach |
Tyler Theus |
Film-Philosophy |
2022-10-01 |
| Third Cinema, World Cinema and Marxism |
Ewa Mazierska |
A I Philip |
Film-Philosophy |
2022-10-01 |
| Cinema Against Doublethink: Ethical Encounters with the Lost Pasts of World History |
David Martin-Jones |
Süleyman Kivanc Türkgeldi |
SineFilozofi |
2022-06-01 |
| Philosophy-Screens: From Cinema to the Digital Revolution |
Mauro Carbone |
Rajiv Kaushik |
Philosophy Today |
2022-06-01 |
| Realist Cinema as World Cinema: Non-cinema, Intermedial Passages, Total Cinema |
Lúcia Nagib |
Navid Darvishzadeh |
Film-Philosophy |
2022-06-01 |
| L’écran de nos pensées. Stanley Cavell, la philosophie et le cinéma |
Élise Domenach |
Etienne Poiarez |
Lectures (OpenEdition) |
2022-05-09 |
| L'Individu impossible. Philosophie, cinéma, théologie |
Anthony Feneuil |
Stanislas Deprez |
Revue philosophique de la France et de l'étranger |
2022-04-01 |
| Cinema Pessimism: A Political Theory of Representation and Reciprocity |
Lawrence C Becker |
Brian Price |
Political Theory |
2022-03-23 |
| American Avant-Garde Cinema's Philosophy of the In-Between |
Rebecca A Sheehan |
Giulia Rho |
Film-Philosophy |
2022-02-01 |
| Shimmering Images: Trans Cinema, Embodiment, and the Aesthetics of Change |
Eliza Steinbock |
William Brown |
Film-Philosophy |
2022-02-01 |
| Automobile et cinéma: un long métrage. Une étude du motif de l'automobile à l'exemple du cinéma allemand |
Louise Dumas |
Daniel Parrochia |
Revue philosophique de la France et de l'étranger |
2022-01-01 |
| Teologia del cinema. Immagini rivelate, narrazioni incarnate, etica della visione |
P Cattorini |
Simona Giardina |
Medicina e Morale |
2022-01-01 |
| The Audience Effect: On the Collective Cinema Experience |
Julian Hanich |
Enrico Terrone |
The British Journal of Aesthetics |
2022-01-01 |
| Affirmative Aesthetics and Wilful Women: Gender, Space, and Mobility in Contemporary Cinema |
Maud Ceuterick |
Tirna Chatterjee |
Journal of Comparative Literature and Aesthetics |
2021-09-01 |
| Explorations in Cinema Through Classical Indian Theories: New Interpretations of Meaning, Aesthetics, and Art |
Gopalan Mullik |
Aritra Basu |
Journal of Comparative Literature and Aesthetics |
2021-09-01 |
| Ritwik Ghatak and the Cinema of Praxis: Culture, Aesthetics, and Vision |
Diamond Oberoi Vahali |
Tirna Chatterjee |
Journal of Comparative Literature and Aesthetics |
2021-09-01 |
| Shimmering Images: Trans Cinema, Embodiment, and the Aesthetics of Change |
Eliza Steinbock |
Nicole Erin Morse |
Critical Inquiry |
2021-06-01 |
| Cinema Pessimism: A Political Theory of Representation and Reciprocity |
Joshua Foa Dienstag |
Kimberly Hurd Hale |
The Review of Politics |
2021-04-00 |
| The Body and the Screen: Female Subjectivities in Contemporary Women's Cinema |
Kate Ince |
Laura Staab |
Film-Philosophy |
2021-02-01 |
| Cinema Against Doublethink: Ethical Encounters with the Lost Pasts of World History |
David Martin-Jones |
Simon Dickson |
Film-Philosophy |
2021-02-01 |
| Melancholy Emotion in Contemporary Cinema: A Spinozian Analysis of Film Experience |
Francesco Sticchi |
Claudio Celis Bueno |
Film-Philosophy |
2021-02-01 |
| Eastern Approaches to Western Film: Asian Reception and Aesthetics in Cinema |
Stephen Teo |
Melissa Croteau |
Philosophy East and West |
2021-01-00 |
| Stanley Cavell and Film: Scepticism and Self-Reliance at the Cinema |
Catherine Wheatley |
Daniele Rugo |
Film-Philosophy |
2020-10-01 |
| European Cinema and Continental Philosophy: Film As Thought Experiment |
Thomas Elsaesser |
Michelle Devereaux |
Film-Philosophy |
2020-10-01 |
| Philosophy-Screens: From Cinema to the Digital Revolution |
Mauro Carbone |
Donato Loia |
Critical Inquiry |
2020-09-01 |
| Visualizing thought at work. The Filmmaker’s philosopher - Merab Mamardashvili and Russian cinema |
Alyssa Deblasio |
Elisa Pontini |
Studies in East European Thought |
2020-07-00 |
| Mythopoetic Cinema: On the Ruins of European Cinema |
Kriss Ravetto-Biagioli |
James Harvey |
Film-Philosophy |
2020-06-01 |
| Afterimages: On Cinema, Women and Changing Times |
Laura Mulvey |
Richard Nunan |
The Journal of Aesthetics and Art Criticism |
2020-06-01 |
| The Nasty Woman and the Neo Femme Fatale in Contemporary Cinema |
Agnieszka Piotrowska |
Mary Harrod |
Film-Philosophy |
2020-06-01 |
| Afterimages: On Cinema, Women and Changing Times |
Laura Mulvey |
Richard Nunan |
The Journal of Aesthetics and Art Criticism |
2020-06-01 |
| The Cinema of Things: Globalization and the Posthuman Object |
Elizabeth Ezra |
Reuben Martens |
Film-Philosophy |
2020-06-01 |
