| Performing Live: Aesthetic Alternatives for the Ends of Art |
Richard Shusterman |
William Day |
2004-06-01 |
| The German Aesthetic Tradition |
Kai Hammermeister |
Robert Wicks |
2004-06-01 |
| Earthworks: Art and the Landscape of the Sixties |
Suzaan Boettger |
Emily Brady |
2004-06-01 |
| Art and Mournful Life |
Sustaining Loss |
Daniel Herwitz |
2004-01-30 |
| Resentment and the 'Feminine' in Nietzsche's Politico-Aesthetics |
Caroline Joan S Picart |
Thomas Leddy |
2003-12-01 |
| Intentionalist Interpretation: A Philosophical Explanation and Defense |
William Irwin |
Sherri Irvin |
2003-12-01 |
| The Possessor and the Possessed: Handel, Mozart, Beethoven, and the Idea of Musical Genius |
Peter Kivy |
Stephen Davies |
2003-12-01 |
| Aesthetics and the Environment: The Appreciation of Nature, Art and Architecture |
Allen Carlson |
Ronald Moore |
2003-12-01 |
| Uncommon Ground: Architecture, Technology, and Topography |
David Leatherbarrow |
Joseph Kupfer |
2003-12-01 |
| Architecture from the Outside: Essays on Virtual and Real Space |
Elizabeth Grosz |
Joseph Kupfer |
2003-12-01 |
| Sublime Understanding: Aesthetic Reflection in Kant and Hegel |
Kirk Pillow |
Robert Wicks |
2003-12-01 |
| Visuality Before and Beyond the Renaissance: Seeing as Others Saw |
Robert Nelson |
Ian Verstegen |
2003-09-01 |
| Fast-Talking Dames |
Maria Dibattista |
Janet McCracken |
2003-09-01 |
| Aesthetics across the Color Line: Why Nietzsche (Sometimes) Can't Sing the Blues |
James J Winchester |
Chuck Dyke |
2003-09-01 |
| On Humour |
Simon Critchley |
Aaron Smuts |
2003-09-01 |
| The Invention of Art: A Cultural History |
Larry Shiner |
Mitch Avila |
2003-09-01 |
| Vermeer and the Invention of Seeing |
Brian Jay Wolf |
Mary Wiseman |
2003-09-01 |
| Paradoxes of Emotion and Fiction |
Robert J Yanal |
Richard Hanley |
2003-09-01 |
| New Perspectives on Narrative Perspective |
W J T Mitchell |
Mary Bittner Wiseman |
2003-09-01 |
| The Sonic Self: Musical Subjectivity and Signification |
Naomi Cumming |
Theodore Gracyk |
2003-06-01 |
| I Wanna Be Me: Rock Music and the Politics of Identity |
Theodore Gracyk |
Lee B Brown |
2003-06-01 |
| Richard Wollheim on the Art of Painting: Art as Representation and Expression |
Rob Van Gerwen |
Gabriela Sakamoto |
2003-06-01 |
| Wittgenstein: Theory and the Arts |
Richard Allen |
Dan Flory |
2003-06-01 |
| Aesthetics of the Four Elements: Earth, Water, Fire, Air |
Krystyna Wilkoszewska |
Arnold Berleant |
2003-06-01 |
| Music, Tendencies, and Inhibitions: Reflections on a Theory of Leonard Meyer |
Renée Cox Lorraine |
Jennifer Judkins |
2003-06-01 |
| Narrative as Virtual Reality: Immersion and Interactivity in Literature and Electronic Media |
Marie-Laure Ryan |
Dan Shaw |
2003-03-01 |
| The Routledge Companion to Aesthetics |
Berys Gaut |
Thomas Leddy |
2003-03-01 |
| The Self-Aware Image: An Insight into Early Modern Meta-Painting |
Victor Stoichita |
Ian Verstegen |
2003-03-01 |
| The Poetics of Portraiture in the Italian Renaissance |
Jodi Cranston |
Ian Verstegen |
2003-03-01 |
| Conceptual Art and Painting: Further Essays on Art and Language |
Charles Harrison |
Richard Kuhn |
2003-03-01 |
| The Reach of the Aesthetic: Collected Essays on Art and Nature |
Ronald W Hepburn |
Arnold Berleant |
2003-03-01 |
| Musical Works and Performances: A Philosophical Exploration |
Stephen Davies |
Theodore Gracyk |
2003-03-01 |
| Essays on Art and Language |
Charles Harrison |
Richard Kuhns |
2003-03-01 |
| Art in Theory 1648-1815: An Anthology of Changing Ideas |
Charles Harrison |
Richard Woodfield |
2003-03-01 |
| Reading Zen in the Rocks: The Japanese Dry Landscape Garden |
François Berthier |
Barbara Sandrisser |
2003-03-01 |
| The Madonna of the Future: Essays in a Pluralistic Art World |
Arthur C Danto |
Brett R Wheeler |
2003-03-01 |
| Poetry On and Off the Page: Essays for Emergent Occasions |
Marjorie Perloff |
Garry Hagberg |
2002-06-01 |
| Wittgenstein's Ladder: Poetic Language and the Strangeness of the Ordinary |
Marjorie Perloff |
Garry Hagberg |
2002-06-01 |
| Beauty Matters |
Peg Zeglin Brand |
Mary Mothersill |
2001-03-01 |
| Design and Aesthetics: A Reader |
Jerry Palmer |
Janet McCracken |
2000-12-01 |
| On the Aesthetics of Architecture: A Psychological Approach to the Structure and the Order of Perceived Architectural Space |
Roger Scruton |
Juan Pablo Bonta |
2000-12-01 |
| The Quest for Voice: Music, Politics, and the Limits of Philosophy |
Lydia Goehr |
Garry L Hagberg |
2000-12-01 |
| Studies in Tectonic Culture: The Poetics of Construction in Nineteenth- and Twentieth-Century Architecture |
Kenneth Frampton |
Tom Leddy |
2000-12-01 |
| Thirteen Ways: Theoretical Investigations in Architecture |
Robert Harbison |
Tom Leddy |
2000-12-01 |
| Titian's Women |
Rona Goffen |
Mary Wiseman |
2000-09-01 |
| Male Trouble: A Crisis in Representation |
Abigail Solomon-Godeau |
Sally Markowitz |
2000-09-01 |
| Masked Men: Masculinity and the Movies in the Fifties |
Steven Cohan |
Sally Markowitz |
2000-09-01 |
| Introduction to Aesthetics: An Analytic Approach |
George Dickie |
Theodore Gracyk |
1999-12-01 |
| Philosophy of the Arts: An Introduction to Aesthetics |
Gordon Graham |
Theodore Gracyk |
1999-12-01 |
| Revenge |
Gay Men |
Susan Bordo |
1999-12-01 |
