| Hooked: Art and Attachment |
Rita Felski |
Sarah Tindal Kareem |
2023-12-01 |
| Atlas of AI: Power, Politics, and the Planetary Costs of Artificial Intelligence |
Kate Crawford |
Lauren M E Goodlad |
2023-12-01 |
| Victorian Contingencies: Experiments in Literature, Science, and Play |
Tina Young Choi |
Elizabeth Helsinger |
2023-12-01 |
| Deep Mediations: Thinking Space in Cinema and Digital Culture |
Karen Redrobe |
Cassandra Xin Guan |
2023-12-01 |
| Emancipation after Hegel: Achieving a Contradictory Revolution |
Todd McGowan |
Andrew Pendakis |
2023-09-01 |
| Understanding Barthes, Understanding Modernism |
Jeffrey R Di Leo |
Bryan Counter |
2023-09-01 |
| Degenerations of Democracy |
Craig Calhoun |
Jonathan Lear |
2023-09-01 |
| Phenomenal Blackness: Black Power, Philosophy, and Theory |
Mark Christian Thompson |
Julius L Jones |
2023-09-01 |
| Operation Valhalla: Writings on War, Weapons, and Media |
Friedrich Kittler |
Anders Engberg-Pedersen |
2023-06-01 |
| Winning Lebanon: Youth Politics, Populism, and the Production of Sectarian Violence, 1920-1958 |
Dylan Baun |
Maayan Hilel |
2023-06-01 |
| Serial Forms: The Unfinished Project of Modernity, 1815-1848 |
Claire Pettitt |
David Kurnick |
2023-06-01 |
| Digital Lethargy: Dispatches from an Age of Disconnection |
Tung-Hui Hu |
Lida Zeitlin-Wu |
2023-06-01 |
| The Red Years of Cahiers du Cinéma (1968-1973): Volume I, Ideology and Politics |
Daniel Fairfax |
Sam Di Iorio |
2023-06-01 |
| On Belonging and Not Belonging: Translation, Migration, Replacement |
Mary Jacobus |
Katie Trumpener |
2023-06-01 |
| Reading Shakespeare Reading Me |
Leonard Barkan |
Claire McEachern |
2023-06-01 |
| The Red Years of Cahiers du Cinéma (1968-1973): Volume II, Aesthetics and Ontology |
Daniel Fairfax |
Sam Di Iorio |
2023-06-01 |
| Queer Velocities: Time, Sex, and Biopower on the Early Modern Stage |
Jennifer Eun-Jung Row |
Noémie Ndiaye |
2023-06-01 |
| The Poverty of Ethics |
Anat Matar |
Nitzan Lebovic |
2023-06-01 |
| Psychomotor Aesthetics: Movement and Affect in Modern Literature and Film |
Ana Hedberg Olenina |
Robert Michael Brain |
2023-06-01 |
| Radium of the Word: A Poetics of Materiality |
Craig Dworkin |
Virginia Jackson |
2023-06-01 |
| Curating Capitalism: How Art Impacts Business, Management, and Economy |
Pierre Guillet de Monthoux |
Michael Maizels |
2023-06-01 |
| Material Inspirations: The Interests of the Art Object in the Nineteenth Century and After |
Jonah Siegel |
Jeremy Melius |
2023-03-01 |
| A Face Drawn in Sand: Humanistic Inquiry and Foucault in the Present |
Rey Chow |
Daniel J Schultz |
2023-03-01 |
| The Digitally Disposed: Racial Capitalism and the Informatics of Value |
Seb Franklin |
Bernard Dionysius Geoghegan |
2023-03-01 |
| Poetry and Bondage: A History and Theory of Lyric Constraint |
Andrea Brady |
Stephanie Burt |
2023-03-01 |
| The Arts of Disruption: Allegory and 'Piers Plowman' |
Nicolette Zeeman |
Julie Orlemanski |
2023-03-01 |
| The Matter of Black Living: The Aesthetic Experiment of Racial Data, 1880-1930 |
Autumn Womack |
Britt Rusert |
2023-03-01 |
| Countries That Don't Exist: Selected Nonfiction |
Sigizmund Krzhizhanovsky |
Feng Dong |
2023-03-01 |
| Modern Times: Temporality in Art and Politics |
Jacques Rancière |
Davide Panagia |
2023-03-01 |
| Meir Kahane: The Public Life and Political Thought of an American Jewish Radical |
Shaul Magid |
Paul Mendes-Flohr |
2023-03-01 |
| Planetary Longings |
Mary Louise Pratt |
Kirsten Silva Gruesz |
2023-03-01 |
| The Lives of Objects: Material Culture, Experience and the Real in the History of Early Christianity |
Maia Kotrosits |
Caroline Bynum |
2022-12-01 |
| Power in Modernity: Agency Relations and the Creative Destruction of the King's Two Bodies |
Isaac Ariail Reed |
Paul North |
2022-12-01 |
| On the Judgment of History |
Joan Wallach Scott |
Lorraine Daston |
2022-12-01 |
| 1969: Michel Foucault et la question de l'auteur. 'Qu'est-ce qu'un auteur?' |
Dinah Ribard |
Haun Saussy |
2022-12-01 |
| Togo Mizrahi and the Making of Egyptian Cinema |
Deborah A Starr |
Ghenwa Hayek |
2022-12-01 |
| Critique and Praxis: A Radical Critical Philosophy of Illusions, Values, and Actions |
Bernard E Harcourt |
Daniele Lorenzini |
2022-12-01 |
| The Constitution of Knowledge: A Defense of Truth |
Jonathan Rauch |
Jeff Frenkiewich |
2022-12-01 |
| Art to Come: Histories of Contemporary Art |
Terry Smith |
Martha Buskrik |
2022-12-01 |
| Fixing Landscape: A Techno-Poetic History of China's Three Gorges |
Corey Byrnes |
Margaret Hillenbrand |
2022-12-01 |
| Negative Exposures: Knowing What Not to Know in Contemporary China |
Margaret Hillenbrand |
Shaowen Zhang |
2022-12-01 |
| The Calamity Form: On Poetry and Social Life |
Anahid Nersessian |
Marjorie Levinson |
2022-12-01 |
| Epidemic Illusions: On the Coloniality of Global Public Health |
Eugene T Richardson |
Alen Agaronov |
2022-12-01 |
| Specters of World Literature: Orientalism, Modernity, and the Novel in the Middle East |
Karim Maattar |
Yasmine Khayyat |
2022-12-01 |
| The Distance Cure: A History of Teletherapy |
Hannah Zeavin |
Wendy Lotterman |
2022-09-01 |
| Speculation: A Cultural History from Aristotle to AI |
Gayle Rogers |
Maud Ellmann |
2022-09-01 |
| Nahmanides: Law and Mysticism |
Moshe Halbertal |
Aaron Tugendhaft |
2022-09-01 |
| The People Are Not an Image: Vernacular Video After the Arab Spring |
Peter Snowdon |
Sasha Crawford-Holland |
2022-06-01 |
| Picture World: Image, Aesthetics, and Victorian New Media |
Rachel Teukolsky |
Johanna Drucker |
2022-06-01 |
| How to Make a Wetland: Water and Moral Ecology in Turkey |
Caterina Scaramelli |
Faisal H Husain |
2022-06-01 |
