| The Missing Pages: The Modern Life of a Medieval Manuscript, from Genocide to Justice |
Heghnar Zeitlian Watenpaugh |
Elyse Semerdjian |
2021-12-01 |
| Time and Power: Visions of History in German Politics, from the Thirty Years' War to the Third Reich |
Christopher Clark |
Michael Geyer |
2021-12-01 |
| Tracking Color in Cinema and Art: Philosophy and Aesthetics |
Edward Branigan |
Jordan Schonig |
2021-12-01 |
| Reattachment Theory: Queer Cinema of Remarriage |
Lee Wallace |
Elizabeth Freeman |
2021-09-01 |
| Persianate Selves: Memories of Place and Origin Before Nationalism |
Mana Kia |
Alireza Doostdar |
2021-09-01 |
| Anecdotal Evidence: Ecocritique from Hollywood to the Mass Image |
Sean Cubitt |
Graig Uhlin |
2021-09-01 |
| Design Technics: Archaeologies of Architectural Practice |
Zeynep Çelik Alexander |
Cristóbal Amunátegui |
2021-09-01 |
| Beyond the Mirror: Seeing in Art History and Visual Culture Studies |
Susanne Von Falkenhausen |
Andrei Pop |
2021-09-01 |
| Anaesthetics of Existence: Essays on Experience at the Edge |
Cressida J Heyes |
Jayne Lewis |
2021-09-01 |
| Making Images Move: Handmade Cinema and the Other Arts |
Gregory Zinman |
Ken Eisenstein |
2021-09-01 |
| Arab Modernism as World Cinema: The Films of Moumen Smihi |
Peter Limbrick |
Khalid Lyamlahy |
2021-09-01 |
| Cinemachines: An Essay on Media and Method |
Garrett Stewart |
Gregory Zinman |
2021-09-01 |
| Shimmering Images: Trans Cinema, Embodiment, and the Aesthetics of Change |
Eliza Steinbock |
Nicole Erin Morse |
2021-06-01 |
| The Force of Nonviolence |
Judith Butler |
S Shankar |
2021-06-01 |
| History, Metaphors, Fables: A Hans Blumenberg Reader |
Hans Blumenberg |
Bruce J Krajewski |
2021-06-01 |
| Sensations of History: Animation and New Media Art |
James J Hodge |
Shane Denson |
2021-06-01 |
| The Invention of Race in the European Middle Ages |
Geraldine Heng |
Cord J Whitaker |
2021-06-01 |
| Afro-Fabulations: The Queer Drama of Black Life |
Tavia Nyong'o |
Wyatt E Sarafin |
2021-03-01 |
| Postcolonial Poetics: 21st-Century Critical Readings |
Elleke Boehmer |
Homi K Bhabha |
2021-03-01 |
| Playful Visions: Optical Toys and the Emergence of Children's Media Culture |
Meredith A Bak |
Amanda Shubert |
2021-03-01 |
| Reaction Formations: Dialogism, Ideology, and Capitalist Culture. The Creation of the Modern Unconscious |
Jonathan Hall |
Louis Sass |
2021-03-01 |
| Literature, Print Culture, and Media Technologies, 1880-1900: Many Inventions |
Richard Menke |
Susan Zieger |
2021-03-01 |
| Packing My Library: An Elegy and Ten Digressions |
Alberto Manguel |
Timothy Morris |
2021-03-01 |
| Provisional Avant-Gardes: Little Magazine Communities form Dada to Digital |
Sophie Seita |
Stephanie Anderson |
2021-03-01 |
| The Technique of Thought: Nancy, Laruelle, Malabou, and Stiegler after Naturalism |
Ian James |
Cory Stockwell |
2021-03-01 |
| Fun, Taste, and Games: An Aesthetics of the Idle, Unproductive, and Otherwise Playful |
Giorgio Agamben |
Robert S Lehman |
2021-03-01 |
| Friending the Past: The Sense of History in the Digital Age |
Alan Liu |
James J Hodge |
2021-03-01 |
| The Making of Measure and the Promise of Sameness |
Emanuele Lugli |
Susanna Berger |
2021-03-01 |
| Capital and Ideology |
Thomas Piketty |
Felix Kersting |
2021-03-01 |
| Hayek and the Evolution of Capitalism |
Naomi Beck |
Sarah Comyn |
2020-12-01 |
| Transmedium: Conceptualism 2.0 and the New Object Art |
Garrett Stewart |
Hannah Higgins |
2020-12-01 |
| Surface: Matters of Aesthetics, Materiality, and Media |
Giuliana Bruno |
Meghan Sutherland |
2020-12-01 |
| Allegory and Ideology |
Fredric Jameson |
Thomas J Millay |
2020-09-01 |
| Palestinian Cinema in the Days of Revolution |
Nadia Yaqub |
Ariel M Sheetrit |
2020-09-01 |
| Familiar Futures: Time, Selfhood, and Sovereignty in Iraq |
Sara Pursley |
Zainab Saleh |
2020-09-01 |
| Systems Failure: The Uses of Disorder in English Literature |
Andrew Franta |
David Carroll Simon |
2020-09-01 |
| From Grain to Pixel: The Archival Life of Film in Transition |
Giovanna Fossati |
Sabrina Negri |
2020-09-01 |
| The Age of Surveillance Capitalism: The Fight for a Human Future at the New Frontier of Power |
Shoshana Zuboff |
Eivind Røssaak |
2020-09-01 |
| Philosophy-Screens: From Cinema to the Digital Revolution |
Mauro Carbone |
Donato Loia |
2020-09-01 |
| Reorienting Ozu: A Master and His Influence |
Jinhee Choi |
Woojeong Joo |
2020-09-01 |
| Album: Unpublished Correspondence and Texts |
Roland Barthes |
Jonathan Doering |
2020-09-01 |
| Paper Minds: Literature and the Ecology of Consciousness |
Jonathan Kramnick |
Tita Chico |
2020-06-01 |
| Comrade: An Essay on Political Belonging |
Jodi Dean |
Michael S Gazzaniga |
2020-06-01 |
| The Consciousness Instinct: Unravelling the Mystery of How the Brain Makes the Mind |
Michael S Gazzaniga |
Jerome Braun |
2020-06-01 |
| Critical Mass: Social Documentary in France from the Silent Era to the New Wave |
Steven Ungar |
Sam Di Iorio |
2020-06-01 |
| This Life: Secular Faith and Spiritual Freedom |
Martin Hägglund |
Tyler M Williams |
2020-06-01 |
| Eric Rohmer's Film Theory (1948-1953): From 'École Schérer' to 'Politique des auteurs' |
Marco Grosoli |
Dudley Andrew |
2020-06-01 |
| The Conscience of Cinema: The Works of Joris Ivens 1912-1989 |
Thomas Waugh |
Jonathan Kahana |
2020-03-01 |
| Reading and the Making of Time in the Eighteenth Century |
Christina Lupton |
Sarah Van Cleve |
2020-03-01 |
| Color in the Age of Impressionism: Commerce, Technology, and Art |
Laura Anne Kalba |
Michael Rossi |
2020-03-01 |
